Five new operas for Buxton
Five new opera productions will be unveiled at the 2024 Buxton International Festival—works by Verdi, Handel, Haydn, Bizet and Ethel Smyth. Artistic director Adrian Kelly said,
Five new opera productions will be unveiled at the 2024 Buxton International Festival—works by Verdi, Handel, Haydn, Bizet and Ethel Smyth. Artistic director Adrian Kelly said,
Leicester’s Curve is to stage the Lerner and Loewe musical My Fair Lady at Christmas 2024. Curve’s chief executive Chris Stafford and artistic director Nikolai Foster said,
Birmingham Royal Ballet’s production about the city’s famous rock band Black Sabbath is attracting international interest. Black Sabbath—The Ballet which sold out in Birmingham, Plymouth and
The casting team of Dear Evan Hansen are searching for the next generation of talent to appear in the first tour of the musical. Performers with or
Dance Umbrella has issued a statement announcing the death of Emma Gladstone OBE, its Artistic Director and Chief Executive from 2013 to 2021, on Monday
Following the Christmas panto of Aladdin, Regal Entertainments is returning to St Helens Theatre Royal with the panto The Wizard of Oz for February half term, the first
Michael Starke will perform opposite is real-life wife, Lynn Francis, in Haunted Scouse by Gerry Linford at Liverpool’s Royal Court Theatre. Charlie Moon (Starke) is sadly missed
This is a very earnest recording with quite a few majestic and soaring melodies – I wouldn’t expect, based on the showtunes in the recording,
Hilary Summers: ‘If you don’t know each other well enough to say if something is a bit rubbish, then what’s the point?’Claire Newman Williams Back
Carnation libation: Julie Anne Stanzak among the 8,000 individually placed blooms in the early Pina Bausch classic, ‘Nelken’ photo: Alexander Gouliaev I am a juggler.
Sean McLoughlin’s debut play I Am Steven Gerrard will run at Hope Street Theatre in Liverpool 24–28 January 2024. This one-man play is performed by
Back to the Future the Musical has further extended its run at London’s Adelphi Theatre until the winter this year. The show, which first opened