The video is a little fuzzy, the recording of the orchestra rather scratchy. Then the words break through: “Euridice… Euridice… Euridice,” not loud but somehow

The usual method used when staging autobiographical plays (determining one’s sexuality, reaching a turning point in life) is to perform a monologue. Katherina Radeva on

It is tempting to let the character Iago dominate the play Othello. He leads the action, shapes the tragedy and speaks aloud about his motives

The third performance space I’ve attended at Pitlochry Festival Theatre this week is outdoors in the Explorers Garden against the backdrop of the River Tummel

As most people over the age of 30 can tell you, there is a great yawning chasm of anxiety and depression writ large through the

Lerner and Loewe’s My Fair Lady is so well-known and loved, most people can sing chunks of the score from memory. Which makes it a

When the spark flickers in a relationship and threatens to go out, what’s to be done? The solution to reigniting the conjugal flame in Keith

Richard Strauss was not one to stand still, and this very different follow-up to Der Rosenkavalier is one of the most curious operas ever written,

More than 20 years have elapsed since I studied Lord of the Flies at school, and I must admit that it’s not a book I

This is the last spring tour for outgoing the Artistic Director and founder of Eastern Angles, and so Ivan Cutting has chosen a subject that

Robin Hood and the Major Oak is the fourth production from Derby Theatre to have integrated British Sign Language—and this is the most ambitious to

In the programme notes, writer and director Conor McPherson describes Girl From the North Country as “a conversation between the songs and the story”. Having