It is 1798 and Admiral Nelson, victor of the Battle of the Nile is about to arrive to revictual his ships in Naples where Emma

As evenings get longer and nights get darker, theatres tend to look to ghost stories to give audiences a fright. The onstage equivalent of a

I’d like to know what happened to Twyla Tharp’s Roy’s Joys. Billed with Ronald K Brown’s Dancing Spirit and Ailey’s Revelations in the Modern Masters

The concept of death has inspired countless pieces of art, but it is not necessarily a subject that we expect to see explored in works

So the New Wolsey Theatre’s autumn season opens with a multi-award-winning play by a writer whose credits include the films Closer and Notes on a

So much of the dramatic and emotional impact of Matthew Seager’s In Other Words derives from its stark juxtapositions—mood and movement, structure and sound, light

Thirty years ago, a young man with aspirations to being an architect was on a street in Eltham, southeast London, waiting for a bus to

The restless political montage of Brassic FM angrily flits between the decades and the moments of injustice inflicted on its numerous characters. The urgent voice

A brilliant revival by director Nicholai La Barrie—with a pertinent slow revolve set and design by Lily Arnold—milks God of Carnage more for comedy than

A hit on the West End for some time now, with productions on four continents and a wheelbarrow-load of awards, 2:22: A Ghost Story has

Giachino Rossini, who boasted he could set a laundry list to music, wrote nearly forty operas. ll Turco in Italia, an early opera buffa, dates