August in England is an indictment of the ”hostile environment” policy introduced by Theresa May which saw thousands of people who had arrived in the UK

Abandon hope, all ye that enter the Staatsoper Hannover to see Monteverdi’s L’Orfeo, directed by Silvia Costa. The legend of Orpheus and Eurydice has inspired

The National Theatre celebrates two anniversaries this year: the 60th of it’s founding by Laurence Olivier and the fifth of a national community initiative participatory theatre

Tao, tai chi and torsion might succinctly describe Russell Maliphant’s signature style. If you need to wind down, this is the show for you: mindfulness

Half of award-winning comedy double act Stiff & Kitsch, Rhiannon Neads, has added another string to her bow by writing her first play, Supernova. It

The old show formula of a love triangle in troubling times can grab an audience. Think of the film Casablanca. Two men in love with

The National Theatre celebrates two anniversaries this year: the 60th of it’s founding by Laurence Olivier and the fifth of a national community initiative participatory theatre

Some time in the 1920s: witches hold a séance and fog descends, or it could be gas, as they conjure up soldiers who don WW1

Jane Austen’s six novels have inspired innumerable adaptations on stage and screen—and none more so than her most famous and popular work, Pride and Prejudice. Sticking

Director and lead actor Adjoa Andoh “doth protest too much, methinks” with her sympathetic take on the much-maligned Richard III? Does Shakespeare’s Machiavellian figure, Richard,

For its fourth series of Vignettes, HER Productions seems to be pushing to the limit what can be achieved in short plays. Natasha (Tia Larsen)

Breeding by Barry McStay is less about breeding and more about bureaucracy. How do you navigate the complicated and imperfect process of trying to adopt