Linbury Prize-winning Sami Fendall’s black sandpit set is an excellent locale for this transposition of Strindberg’s misogynistic Miss Julie to a 2012 New York City, BDSM party.

Prospero’s isle is famously full of noises. In Elizabeth Freestone’s production for our times, it is also full of detritus, as if all the jetsam

George Abbott was remarkable in many ways. He was an uncommon kind of theatrical quadruple threat, succeeding on Broadway as actor, director, writer, producer. This

Rosemary’s Baby meets David Lynch in a subterranean tale of a sinking ship where sinister collides with slapstick in a seriously freakish, cinematic mind and body

The ever-popular Scottish Ballet, based in Glasgow, made a dazzling return to Newcastle Theatre Royal last night with The Snow Queen, a family friendly extravaganza, which

The tense thriller The Ballerina performed in one of the small, bleak, atmospheric tunnels below Waterloo Station takes us to the world of international intrigue.

The year opens at Hope Mill with this recent musical based on the fifteenth-century romance Arcadia by Sir Philip Sidney with a book by the

It was the first play I ever saw in the theatre, probably my parents’ first too. Harold Macmillan had not long been Prime Minister, Educating

It is difficult to go wrong with an Agatha Christie, isn’t it? Add in the quality of Rachel Wagstaff, who is a dab hand at

Experiencing The Ocean at the End of the Lane is reminiscent of a fairground ride: twists and turns, shocks, scares, and a mixture of joy

Travis Alabanza’s latest show, co-created with its director Debbie Hannan, has nothing to do with the District Line running next-door and or really with Girls

Summer of 1963, the optimistic year of John F Kennedy as president, Martin Luther King and the Civil Rights Movement, of the Peace Corps, a